Programme Alcine49

A farmer struggles with his conscience every time he takes his cows to the slaughterhouse. He knows he must make a change.

It tells the story of an unlikely friendship between a hungry Polar bear, Nanuk, and an enthusiastic grizzly bear, Aklak.

A non-conforming 8-year-old challenges gender expectations when forced to make an Easter Bonnet with the girls. Bravely subverting convention, he also learns that the grown-up world is not quite so black and white.

'Violet' is the haunting, cautionary tale of a young girl who despises her reflection.

A farmer struggles with his conscience every time he takes his cows to the slaughterhouse. He knows he must make a change.

It tells the story of an unlikely friendship between a hungry Polar bear, Nanuk, and an enthusiastic grizzly bear, Aklak.

A non-conforming 8-year-old challenges gender expectations when forced to make an Easter Bonnet with the girls. Bravely subverting convention, he also learns that the grown-up world is not quite so black and white.

'Violet' is the haunting, cautionary tale of a young girl who despises her reflection.

A farmer struggles with his conscience every time he takes his cows to the slaughterhouse. He knows he must make a change.

It tells the story of an unlikely friendship between a hungry Polar bear, Nanuk, and an enthusiastic grizzly bear, Aklak.

A non-conforming 8-year-old challenges gender expectations when forced to make an Easter Bonnet with the girls. Bravely subverting convention, he also learns that the grown-up world is not quite so black and white.

'Violet' is the haunting, cautionary tale of a young girl who despises her reflection.

France, 1770. Marianne, a painter, receives a commission that consists of making the wedding portrait of Héloïse, a young woman who has just left the convent and who has serious doubts about her next marriage. Marianne has to portray her without her knowledge, so she dedicates herself to investigating her daily.

'Glory and Pain' follows a series of reencounters experienced by Salvador Mallo, a film director in the twilight of his life. Some of them are in the flesh, others remembered: his childhood in the 60s, when he emigrated with his parents to Paterna, a Valencian town, in search of prosperity, his first desire, his first adult love later in the Madrid of the 80s, the pain of that love falling apart when he was still alive and intense, writing as the only therapy to forget the unforgettable, the early discovery of cinema and the void, the tremendous void of the impossibility to continue filming. This movie talks about creation, about the difficulty of separating it from one's own life, and about the passions that give it meaning and hope. In recovering his past, Salvador finds the urgent need to recount it, and in that need he also finds his salvation.